WRITING ARCHIVE (2015 -)                                    

[Away From Zero: Carries Mae Weems 'Over Time'], 2019, Art Throb

[Time Consciousness, and the Trouble with a Black Aesthetic], 2019, Art Throb

[In The Between: Sam Nhlegethwa's 'Waiting'], 2018, Art Throb

[iQhiya, 22 July: The Hidden Curriculum], 2017 Documenta14 Daybook

[Defining Excellence: Jody Brand’s ‘You Can’t Keep a Good Woman Down’], 2017, Art Throb

[Making Room For True Protest], 2017, News24

[Ruga Explores Exile Within: Athi Patra Ruga's 'Queens in Exile'] at WhatiftheWorld Gallery, 2017, Mail & Guardian

 [DON'T BE A DICK and other life lessons: Ed Young's 'Cash or Card' at SMAC], 2017, SMAC Gallery

[Lhola Amira: The Performance Artist who Refuses to Perform], 2017, Elle Magazine

[Spaces are not neutral: Dorothee Kreudzfeldt at blank projects], 2017, Mail & Guardian

The 2017 Cape Town Art Fair: [Preview] and [Review], 2017, Mail & Guardian

[Senzeni Marasela and Asemahle Ntlonti at Blank Projects], 2017, Blank Projects

[African Art and Film Practices: Processes of Colonial Containment], (in conversation with Mzonke Maloney), 2017, Africanah

[Old Buildings, New Conversations], 2017, ContemporaryAnd

[A Guide to Embarking on an Arts Career in South Africa], 2017, Mail & Guardian

[Concerning Museums​], 2017, adjective.online

[The Parliament of Bodies: Some Thoughts], 2017, adjective.online

[On Product Versus Process: Robin Rhode's 'Paths and Fields'], 2017, Art Throb

[Sisipho Ngodwana: On Misbehaving Cultural Capital], 2017,  Africanah

[Qokobe: Lungiswa Gqunta], 2016, WhatiftheWorld Gallery

[New Monuments: Exploding the Monument and Considering Radical New Ways to Occupy Public Space], 2016, Commune_1

[Floating in a Mind Map: Moshekwa Langa's 'Ellipses'], 2016, Art Throb

[Calling for better curated spaces for knowledge production]2016, Centre for Curating the Archive

[Michaelis in the age of FMF: Inside Operatives], 2016, adjective.online

[The Black Woman's Gaze: Florine Demosthene's 'The Burst'], 2016, Art Throb

[Centering the Human as Site of Memorial: Jabulani Dhlamini's 'Re-Capture'], 2016, Art Throb

[Giving Renewed Attention to Old Voices? ’50/50′ at the New Church Museum], 2016, Art Throb


[To Hell With Monuments], 2016, Africanah

[The Art World In South Africa Observed], 2016, Africanah

[The Contradictions of Living in the Past: Lizza Littlewort at 99 Loop], 2015, Art Throb


[Whose ‘Death Speaks’? A Group Show at 6 Spin Street], 2015, Art Throb

[Tensions Between Art and Site: Joburg Fringe], 2015, Art Throb

[Decolonisation As Art Practice], 2015, Africanah

[Heritage For Sale: Bronze Casting and the Colonial Imagination], 2015, Art Throb 

[1.The Salon For What? (gamEdze and gamedZe)],

[2. Notes on The Imagination],

[3. The Untitled Black Imaginings]

[4. Azania-House: Intersectionality as a Catalyst for Black Imagination ], 2015, JWTC, Vol 9: The RhodesMustFall Edition

[I do not remember Marikana], 2015, Vanguard Magazine


[The Filthy Ground Upon Which We Walk: Subverting the Space of The Art Fair in Contemporary Cape Town], 2015, Art Meets

hardcopy (send email for pdfs)

2018. Ana Mendieta, Cynthia Marcelle, Grada Kilomba, (artist texts) The 10th Berlin Biennale: Berlin

2017, The Immateriality of Experience: Buhlebezwe Siwani, Africa, Telling A world: Padiglione d'Arte Contemporanea: Milan, pp 186-191

2017, Nicholas Hlobo: Curator of Texture, In Nicholas Hlobo: Zawelele ngale, Uppsala Art Museum: Sweden, pp 25-33​​

2017, To be Born Free and Other Such Myths, In 'Tell Freedom' exhibition catalogue, Kunsthal kAde: The Netherlands, pp 29-32

2017, Notes on Light (Notes on Writing), In Afrotopia: Recontres de Bamako, African Biennale of Photography, Editions Dilecta: Paris, 24-30

2017, Editorial: why are we still writing about art?, In adjective issue 3: pp 8-9

2017, a shorthand selection of history in and around the place we are bored of calling michaelis, Michaelis School of Fine Art Graduate Catalogue 2017, University of Cape Town: Cape Town, pp 10​


2015, Decolonial Painting Acts, ArtSOUTHAFRICA:'Painting's Not Dead!' 13(4): pp 24-26



gamEdze, gamedZe, 2019. Anxiety, Afropessimism and the University Shutdown, South Atlantic Quarterly, 118(1) 


Gamedze, T., 2017. Editorial: why are we still writing about art?, In adjective issue 3: pp 8-9


Gamedze, T., 2015. Decolonial Painting Acts, ArtSOUTHAFRICA:'Painting's Not Dead!' 13(4): pp 24-26


gamEdze, gamedZe, 2015. The Salon For What? (editorial), The Salon, Johannesburg Workshop of Theory and Criticism (JWTC), Vol 9: The RhodesMustFall Edition


Gamedze, T., 2015. 1. Notes on The Imagination, 2. The Untitled Black Imaginings, and 3. Azania-House: Intersectionality as a Catalyst for Black Imagination, The Salon, Johannesburg Workshop of Theory and Criticism (JWTC), Vol 9: The RhodesMustFall Edition